One of the most intense stages I’ve worked on — though back in the day it was even bigger. This was a downsized version from what I remember, but managing 85 inputs and plenty of fan-out looms kept me on my toes. A major part of this setup was handling the orchestra sections, which required careful planning: each string, brass and percussion section had its own dedicated loom to keep cabling tidy and prevent last-minute scrambling during line checks. A serious challenge, but incredibly rewarding.